Ensemble Modern - Die Dreigroschenoper (with Max Raaba, Nina Hagen and HK Gruber)
.
The "Ensemble Modern" performed its first concert on October 30, 1980, in the Deutschlandfunk broadcast hall, Cologne, Germany. Over the years it has consisted of about 20 players and is a fairly typical chamber orchestra in makeup, its members filling the orchestral sections of strings, brass, woodwind, and percussion in traditional proportions.
It was founded with the intent of promoting new and unusual compositions.
The aforementioned 1980 inaugural concert, which featured works by Schönberg, Webern, Spahlinger, Goldmann, and Schnebel, was broadcast over German radio, giving the new group a measure of overnight recognition. The Ensemble soon developed a schedule of about 100 concerts per year and would perform at many of the world's major concert venues, including Lincoln Center, the Salzburg Festival, the Holland Festival (Amsterdam), and the Festival d'Automne (Paris). Since 1985 it has been based in Frankfurt and has regularly performed at the Alte Oper concert hall. Its 1995 recording of Frank Zappa's "Yellow Shark" achieved great success, and was followed by another Zappa disc, as well as a highly acclaimed 1999 version of Kurt Weill's "Threepenny Opera".
This newly edited version of the music of "Die Dreigroschenoper" was recorded for the first time by the Ensemble Modern led by HK Gruber. Singers include Max Raabe, Sona MacDonald, Nina Hagen, and Gruber himself. The songs are connected by Brecht's own brief narrations, also recorded here for the first time.
This sinuous, dark version of Kurt Weill's ironic morality tale (there's really no hope for anyone sucked into dog-eat-dog Soho, a metaphor for Berlin between the wars), fascinates and disturbs. The overall effect is of a chamber piece, played with controlled vigour rather than the rasping attack of some modern interpretations. As a result and thanks to the subtle playing of the Ensemble Modern, Weill's melancholy, edgy score has rarely sounded so haunting, or at times, delicate. The voices soar above with plaintive beauty, expressing the dreams and nostalgia of characters living off each other by whatever means they can. Max Raabe brilliantly conveys the vulnerability at the heart of the swaggering Macheath, betrayed once too many times by the whores. He is light years from the rocking images created by Ella Fitzgerald, Bobby Darin and Louis Armstrong in their pop versions of "Mack The Knife". Sona MacDonald is a mesmerising Polly Peachum, while erstwhile high priestess of German punk rock, Nina Hagen brings her distinctive gothic snarl to the role of Mrs Peachum. A note for trivia fans: Timna Brauer, an unusually elegant Pirate Jenny, sang for Austria in the 1986 Eurovision Song Contest.
Truly, this "Threepenny Opera" has something for everyone. It's a welcome supplement, adding new dimensions to a familiar and beloved work.
Ensemble Modern: Kurt Weill - Die Dreigroschenoper pt. 1
Ensemble Modern: Kurt Weill - Die Dreigroschenoper pt. 2
(192 kbps, front cover included)
The "Ensemble Modern" performed its first concert on October 30, 1980, in the Deutschlandfunk broadcast hall, Cologne, Germany. Over the years it has consisted of about 20 players and is a fairly typical chamber orchestra in makeup, its members filling the orchestral sections of strings, brass, woodwind, and percussion in traditional proportions.It was founded with the intent of promoting new and unusual compositions.
The aforementioned 1980 inaugural concert, which featured works by Schönberg, Webern, Spahlinger, Goldmann, and Schnebel, was broadcast over German radio, giving the new group a measure of overnight recognition. The Ensemble soon developed a schedule of about 100 concerts per year and would perform at many of the world's major concert venues, including Lincoln Center, the Salzburg Festival, the Holland Festival (Amsterdam), and the Festival d'Automne (Paris). Since 1985 it has been based in Frankfurt and has regularly performed at the Alte Oper concert hall. Its 1995 recording of Frank Zappa's "Yellow Shark" achieved great success, and was followed by another Zappa disc, as well as a highly acclaimed 1999 version of Kurt Weill's "Threepenny Opera".
This newly edited version of the music of "Die Dreigroschenoper" was recorded for the first time by the Ensemble Modern led by HK Gruber. Singers include Max Raabe, Sona MacDonald, Nina Hagen, and Gruber himself. The songs are connected by Brecht's own brief narrations, also recorded here for the first time.
This sinuous, dark version of Kurt Weill's ironic morality tale (there's really no hope for anyone sucked into dog-eat-dog Soho, a metaphor for Berlin between the wars), fascinates and disturbs. The overall effect is of a chamber piece, played with controlled vigour rather than the rasping attack of some modern interpretations. As a result and thanks to the subtle playing of the Ensemble Modern, Weill's melancholy, edgy score has rarely sounded so haunting, or at times, delicate. The voices soar above with plaintive beauty, expressing the dreams and nostalgia of characters living off each other by whatever means they can. Max Raabe brilliantly conveys the vulnerability at the heart of the swaggering Macheath, betrayed once too many times by the whores. He is light years from the rocking images created by Ella Fitzgerald, Bobby Darin and Louis Armstrong in their pop versions of "Mack The Knife". Sona MacDonald is a mesmerising Polly Peachum, while erstwhile high priestess of German punk rock, Nina Hagen brings her distinctive gothic snarl to the role of Mrs Peachum. A note for trivia fans: Timna Brauer, an unusually elegant Pirate Jenny, sang for Austria in the 1986 Eurovision Song Contest.
Truly, this "Threepenny Opera" has something for everyone. It's a welcome supplement, adding new dimensions to a familiar and beloved work.
Ensemble Modern: Kurt Weill - Die Dreigroschenoper pt. 1
Ensemble Modern: Kurt Weill - Die Dreigroschenoper pt. 2
(192 kbps, front cover included)

11 Comments:
At 3:16 PM,
Anonymous said…
Another excellent post. Thank you.
But something not quite right about start of track 8, CD 1 (Kanonensong).
At 5:03 PM,
Anonymous said…
I don't know what is wrong with it.
Most of the kanonensong I have are different: some begin with vocal, some with music; musical interpretations are different, too.
For this one in particular: my mp3 has 3390Mb for 02:24m.
Regards.
Verde
At 5:08 PM,
Anonymous said…
Ooooops ! Thank you, thank you, thank you, Zero.
Regards.
Verde
At 2:45 AM,
Ego Kornus said…
Zero you are the man!!!!!!!
Here is a happy boy speaking!
You can not believe how much time i was searching this. I tell you Yeaaaaars, great!
Zero Saludos de Argentina!!!
At 8:58 AM,
Zero G Sound said…
Sorry about the bad track 8, i ripped it again, you find a good version here:
http://rapidshare.com/files/31572001/Kanonen.rar
Glad you like that recording, i think it is a fascination version of the threepenny opera...
Greetings!
At 12:09 AM,
Anonymous said…
Zero,
If you agree, please contact me:
verdfruto at google mail.
BTW, the link at your comment gave "file not found".
Cheers.
Verde
At 11:30 AM,
Zero G Sound said…
Hi Verde,
i checked the link, for me it works. Let me know if you can´t download it. Will contact you this evening.
Cheers!
At 4:53 PM,
Anonymous said…
Zero,
You are right. I miss the dot rar, cause my text is in big char's.
Sorry.
Regards.
Verde
At 12:41 PM,
Anonymous said…
Thank you so much for this gift. I'll have to check definitely this version with Lotte Lenya's version.
Derek
At 6:14 PM,
Andrew said…
I think this is the best recording I've ever heard of Threepenny. Certainly the greatest German language recording...Thanks so much. I'm going to buy it on Amazon right now!
At 3:34 AM,
Anonymous said…
^^ nice blog!! ^@^
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